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This
e-mail interview was conducted April- May 2003
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| Calsaga:
You began your musical career at a very young age performing
with your parents and siblings. Can you recall if you performed
out of a sense of obligation to your family or if you truly
enjoyed being a part of the family group?
Tom Jacob: Good
question. It was never an obligation, it was mandatory! It was
as if it was a natural progression from birth, as my parents
being "Cotton Club" entertainers for years, were
always performing on the road and near our home
in Houston. That's how it all started. I got sucked right into
it. My brother Lanny always spinning current records
and learning from what are now classics, Elvis, The
Beatles, The Beach Boys, etc.. He and, my late
brother, Ritch were fast becoming fine musicians it their
own right, it was intrinsic. It was all very exciting to
me. I was hooked!
Additionally, my recollection of an event
that brought superstardom almost on our doorstep...I remember
the night Jim Reeves, who was top of the charts at the time and
a good friend of my Parents, was on his way home via his
private jetliner and was to come to our house later that year,
1964, for Christmas dinner. In a torrential downpour, the
landing gear caught power lines on approach to his private
landing strip and all aboard were killed. Infamous in an
instant! It was that closeness to stardom and the emotional
connection that later drew me in.
Calsaga: Your family group
traveled to Vietnam during the Vietnam War as part of a USO
show. Could you share a memory from that experience?
Tom Jacob: When
I first began to actually play coherently I was about 6 years of
age. My folks, already having a local hit radio show in town,
had ties with the military. They were performing local
military bases and doing some radio broadcasts from there as the
U.S.'s commitment to the Vietnam War slowly escalated. As a
result of those performances, my Father, Randy, was approached
to provide entertainment for the military, "In
Country." Being former Navy from WWII, he jumped at the
chance. My Father was asked to bring name acts in and around
areas close to the DMZ (Demilitarized Zone) to GI's that were so
separated from Western civilization for so many months, they
were losing touch with reality and their moral. He had already
brought Johnny Cash and acts more easily accessible from the
Phillipines. He then got this brainstorm to bring our
family to Nam. Since he and my mother, "Betty Blue" as
she was known already had an act together, it wasn't far to go
to add the backup band! My father performed as, Randy Crane,
thus "The Randy Crane Family Show", was born.
Here's a particular memorable event; After
being choppered into DaNang for an early afternoon show. We were
then transported from Da Nang to 2nd show that day in
an army issue bus. It was dark and the road was so
narrowly cleared, the palm trees were brushing across the sides
of the bus. The sound was frighteningly loud. Suddenly,
a shot rang out as a sniper's bullet cracked through the
window of the bus and out the other side. This sent everyone
into a panic. The driver, an MP, whipped out an M16 and was
returning fire out the driver's window while accelerating
rapidly and shouting, "Get under the seats! Get under the
seats! NOW!" Just my Mom, my two brothers, Rick Jacobs our
bassist, myself, and our driver were in this big bus, under
fire, doing 50 mph through a clearing barely able to get a
vehicle of this size through.
The real concern was behind us, in sort of a convoy, was
supposed to be my Father in an open Jeep being escorted by a
second MP. Once we were off this tight trail and back on an
open road, we arrived at the next show stage in the middle of
the jungle for our second show of the night. We had no idea
where we were, as the military would not disclose exact
locations most of the time. When we arrived, regaining our
composure, we realized, Where's the Jeep? We began to
worry. Minutes seemed like hours and after 20 minutes, we feared
the worst.
After several failed attempts to reach them by radio, still no
contact. Out of the blue, we heard a distant engine and they
appeared, as if out of nowhere. Their explanation for the delay,
"They decided to take an alternate route." The second
driver heard a report of hostile fire on the road we were on and
worried being in an open Jeep. Good thing they did! They were
totally unaware of our incident until we told them.
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| Another
very significant event was when we were in route to
somewhere near Quang Tri. We flew less than 100 feet
over the DMZ. We were in a Chinook, double propeller
chopper. I remember hanging out the window, leaning on a
door mounted 22mm Machine Gun. We were decorated with Air
Medals, for flying less than 100 feet above enemy lines.
We were awarded so many times over the course of our tour,
that I lost count. We were the only all American family
ever to tour Vietnam, Our main base was Saigon and with
the First Cavalry stationed with General Westmoreland.
If you happened to watch
the last half of the recent Bob Hope 100th Birthday
Special, you would have a feel for the type of
performances we did.
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Calsaga: You and your brothers
performed as "Saratoga" with many great groups as well
as backing the legendary Big Joe Turner, Chuck Berry and T-Bone
Walker. What influence, if any, did these gentlemen have on you
musically?
Tom Jacob: They all had a
great influence with their connection to rhythm & blues. R
& B was the foundation from which rock 'n' roll was born. It
was great to play with such legends and to have a close
relationship with their interpretation of the blues and rock.
Their music is probably the single most influence to me because
I was so young and I absorbed everything like a sponge. I
learned early on from these masters how to feel the music and
get into the pocket. Music from the soul, it's very infectious.
Ultimately, it was my Brother, Lanny Ray, that gave me my
musical roots and taught me drums and keyboards.
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Calsaga: You formed
a group with Stevie Heger called, "Hey Stevie." Could
you tell us more about the member's of this group? |
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Tom
Jacob: The rest of Hey Stevie is made up of a trio of
great players from the Bay area. Kenny Franklin- bass, Paul
Stafford- guitars and Ahaguna Sunn from The Looters on
drums. Kevin McMullen- bass made a special appearance on
Sail On Sailor and later replaced Kenny Franklin.
Calsaga: After listening
to both of your albums, I would say Hey Stevie reminds me of
the group Crowded House with some edge. Would you agree? |
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Tom
Jacob: I can safely say anything Neil Finn is very influential
to me and Stevie. I am certainly flattered to be referenced as
such. We do attempt to produce our material with as much
originality as possible. However, this is sometimes the case when
you produce yourself. Your personal influences can shine through.
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Calsaga:
Hey Stevie's first album was entitled, "Death By
Heartbreak." The tracks on this album flow into each
other giving the listener a feeling of this being one
piece with many movements. Was this your intention?
Tom Jacob: Yes, we
set out to do just that. We thought that it would be a
great experience for the listener. We realized later, it
was an even greater experience and a challenge for live
performances.
Calsaga: I also noticed
some of this album was recorded at Al Jardine's Red Barn
Studio. Was this your first brush with Al Jardine? |
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| Tom
Jacob: Yes it was. We had already tracked a lot of the record
at Dave Wellhausen Studios in San Francisco. This is the studio
where "Wicked Game" by Chris Isaak was recorded. At the
Red Barn, when we recorded, Al was never there. We were given
"carte blanche" at the Barn when Al was away, giving us
virtually a free reign of the studio. I had only met Al briefly at
that time and have always been very grateful for his generosity. |
| Calsaga:
Hey Stevie's next album, "The World's A Better
Place" displays the fruits of your songwriting
partnership with Stevie Heger. Do you feel you have a
strong musical connection with Stevie?
Tom Jacob: I don't
think I could be closer to a writer as I am with Stevie.
Countless times we have collaborated and come up with like
ideas. Here's an example. I was in LA and Stevie was in
San Francisco when we were developing the material for The
World's A Better Place. Our biggest challenge was making
Sail On Sailor unique in some way to the original. One
evening I was working through the arrangement, when it
came to me. I could modulate a whole step to the key of A
for a repeat of the intro. then go back to the key of G
for the extended guitar solo. |

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| I knew I
had it, so I desperately tried calling Stevie to tell him I had
the new arrangement. Unfortunately, the line was busy. I kept
calling, I was so excited I had come up with the final version.
Finally, I got through. We immediately started talking over each
other that we each had the final arrangement written for Sail On
Sailor. The amazing thing was we both had written the exact same
ending! How's that for a musical connection!
Calsaga: I believe you mentioned
that the song, "The World's A Better Place" was inspired
by the events surrounding the Berlin Wall. Could you tell us more
about this song and album?
Tom Jacob: I had just moved
to San Francisco and I was watching the most incredible
"LIVE" event in the struggle and symbol for peace in my
lifetime; the demise and destruction of the Berlin Wall. I was so
inspired I sat down in front of the large bay window we had atop
the 2nd floor of our Sunset district flat and began to write,
"The World's A Better Place." It later became the
inspiration around our second album. Our first effort, Death By
Heartbreak, was very cynical and angry. We got over it! As many
events were unfolding around the world at that time in an effort
to promote peace. USA and Russia were standing down their
perspective nuclear arsenals and we were en route to Mars and
initiating the International Space Station program. It felt like
the right time to put together an album from the heart. Where we
all truly come from.
Calsaga: This album also
includes a cover of the Beach Boy's classic, "Sail On
Sailor" with new lyrics. Al Jardine makes a guest vocal
appearance on this track as well. What led you to record this
track?
Tom Jacob: I think it's
greatness, yet obscurity. Sail On Sailor was from the Holland LP.
The first studio album the Beach Boys recorded outside the US, I
believe. It was also a dark period for the Boys due to the minimal
involvement of Brian Wilson. Nonetheless, Sail On Sailor was a
diamond in the rough. It was also a song that hadn't been covered
recently and we thought it was a great song for us to execute as
well. We wanted a classic tune that we could present admirably
that had not been redone before.
Calsaga: How did you become a
member of Al Jardine's Family & Friends Beach Band?
Tom Jacob: It was during our
return to the Red Barn for "The World's A Better Place"
sessions, that Al became more interested in our sound and our
attempt at a remake of Sail On Sailor. After his participation in
the recording, we had a chance to be better acquainted, musically
and socially. When Al formed Beach Boys Family & Friends, he
set out to put together a new backup band.
Stevie had already been co-producing and engineering for the Beach
Boys, as well as with Al. Stevie even played the drums on the
re-mixed "Loop de Loop" for the Beach Boys "Endless
Harmony" CD and "Santa's Got An Airplane" on the
Ultimate Christmas CD. After those sessions, Al asked Stevie if he
had any players to recommend to round out the already on-board,
Billy Hinsche, Darryl Dragon, the Wilson sisters, Carnie &
Wendy and his sons, Matt & Adam. Al invited a few
players, including myself, up to Big Sur twice for auditions
and collaboration on existing, and some new material.
I knew nothing upon returning home... Then a few weeks later
in Hollywood at Cherokee Studios, as rehearsals were getting
underway, Al nonchalantly asked me, "Would you like to go on
the road with us?"...No arm twisting necessary! Stevie and I
were the only musicians at the original auditions to make the cut.
Calsaga: Could you share your
thoughts about performing Beach Boys music with Al Jardine?
Tom Jacob: The first time we
went out was December 1998 at the Shrine Auditorium. I was a
nervous wreck. It was such a rush playing with such legendary
players and the greatest honor I had ever had bestowed. I was
holding it together pretty well until we played, "Wouldn't It
Be Nice." I could hold back no longer and wept during the
performance of that song. It rings of such hope and longing. It
really struck me very deeply. Ever since, performing with Al has
never been less exciting than that first night. It is always
uplifting and an absolute thrill every time we hit the stage.
Calsaga: I've heard that
"Hey Stevie" plans to record a third album, is that
true?
Tom Jacob: Rumor has it that
12 new songs have been written and being considered for a third
Hey Stevie release. It is very much in the pre-production stages.
Calsaga: What are your future
plans?
Tom Jacob: My immediate
plans are to bring whatever I can to the table to keep Al Jardine
and the Beach Boys tradition alive. Hey Stevie III is a work
in progress. I am also working in Los Angeles with my own group,
"Radio Club" around town constantly. I was
just married on May 23rd in Maui to my beautiful wife,
Candace. Soon to be followed by our first born together late this
year.
Closing;
Barbara, Thank you so much for having me for this interview and
for all of your stirring questions!. I find CalSaga to be the best
website The Beach Boys have to offer, and your guidance and
integrity is unparalleled! Keep up the great work!
Ciao,
Tom Jacob (The Right Reverend)
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Melinda &
Brian Wilson with Tom Jacob at Wendy Wilson's wedding.
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More
info on Tom Jacob and Hey Stevie
Hey
Stevie's label PacificSol
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